{by Wolf of Just Add Father}

Don’t open the door to the study.
Take down a lute.

Rumi

I wake up too early and lie in the dark, thinking. I have eight unfinished ToDos from yesterday. I go downstairs and open the study door.

On one shoulder sits a little man, saying, Lute! Lute! Play the lute!

On the other shoulder is another little man. This one says, Are you good enough yet? There’s work to do.

I think the lute man was there first, at least that’s the way I remember childhood. But the other man soon followed. He’s pretty much run my life since the first grade, and maybe before that. My wish for Nick, my eight year old son, is that he listen to his own lute man for as long as possible.

My fear is that the other man is already whispering to Nick. The idea that I can help Nick put this man in his place is a great seduction for me. Perhaps all it means is that I want to help him to be me, doing it right.

Nora and I try not to mindlessly praise Nick, avoiding “Good job” and such when we can. Instead we say things like, “Look at that yellow line you’ve drawn there. It’s twisting like a river.”

Nick likes to draw. But he worries that he’s lousy at it. This worry used to stop him cold, but now he draws and draws anyway, I’m glad to say. For the moment the lute man is winning.

A couple of years ago I got him a book about mistakes that turned into useful inventions. Not-sticky-enough glue that led to Post-Its, and so on. But the book was more for me than for him. It gave me something to say when he complained about himself. I told him he needed to make 10,000 mistakes to get good at something.

“It doesn’t look like it’s supposed to,” he’d say, showing me a drawing.

{by Ms. Picket To You of Post Picket Fence}

(photo source)

Kids at a pool: it’s the epitome of fantastic wretchedness.

They swim and dunk and dive and flop unattended and fully entertained and working up to an excellent exhaustion. The sunscreen melts off the minute it’s applied, but their bodies are submerged, so: only shoulders get burnt, maybe noses. They paddle and flop and hunt quarters at depths taller than they are. They coordinate games named “Baby Dolphins.” They get drenched and pickled and giddy all at once.

But the goggles are too tight or too loose or worse than her brother’s. The towel is too soggy but worthy of a battle, a whippingatyou, smackingatyou battle. The sister’s belly flop is half-assed and “mine will be better and hurt more than hers” and WATCH ME WATCH ME WATCH ME will echo across the chlorine, over the deck chairs, past my magazine, and straight into my face. Straight into my face over and over and over: WATCH MEEEEEEE!

{By Jessica at One Wild and Precious Life}

Today the earth is pressed against this wide white emptiness and there is still this gap in me, this hesitation.

I’ve been thinking about painting.

My fear was the blank canvas and nothing to paint.

{by Christine Green}

I was a feather of a girl for a while there. I could stand on my head in the middle of the living room floor for what seemed like hours. My mother would peer at me from the kitchen nervous that I would fall, but she did not scold or ask me to be sensible. She simply let me be.

She knew, I think, that those days were fleeting. She knew that someday the weight of many responsibilities would sit on my shoulders and my easy lightness would be replaced by a heaviness that would keep my feet firmly planted on the ground.

I’ve tried now, cautiously when no one was around, to spend some time upside down again. But I can barely lift my legs into the air, and my feet feel like lead weights. I’ve tried, too, in yoga class with plenty of prep and lots of help from the instructor, but I always freeze up. Fear washes over me and I convince myself that I will fall and break a leg or embarrass myself in front of the entire class. So I quietly move on to something else: a nice, firm warrior pose or a quiet, safe child’s pose.

But I see the others do it and wonder at the ease with which they seem to turn their world topsy turvey even for a second or two. I see them and I remember those sunny childhood afternoons I spent with my feet in the air and my heart easy. There was no fear, just action, as I swung my legs upwards toward the clouds. Then there was a calm while I watched the world pass crazily by as I stood on my head, motionless and quiet.

My son seems to be taking after me these days and spends inordinate amounts of time with his feet above his head. I watch him as he hangs upended on the couch, his small, perfect feet drumming a rhythm on the wall as he watches Scooby-Doo, and I envy the carefree flexibility of both his body and spirit.

I should, like my mother before me, let him be. I should let him hang there upside down among the cushions where he is happy, free, light. But I feel compelled to turn him right side up, tell him to stop before he gets hurt.

{by Amy Whitley}

It’s staying light a bit longer each day, but we still have a long way to go until spring. I can tell because I still have to switch my car headlights on driving the kids home from the karate studio or the soccer fields, still have to flip the porch light before calling them in from the neighborhood streets. In another lifetime (which wasn’t too long ago), I’d sit out these winter evenings indoors, the kids too young for unsupervised neighborhood roaming, my own motherhood too new to risk a public toddler meltdown or unscheduled nap after nightfall. From my watch at the kitchen window, the sun would disappear behind the city long before dinner was served, and something heavy and panicky would rise in my chest and sink in my belly as the outside darkness closed over me like a blanket, locking me into a fate of 5 pm until 7 pm with only my babies for company.

It would have been so easy to switch on Backyardigans and switch off myself, but most days, we resisted the lure of the TV. Instead, I’d play cars on the mat in the boys’ yellow-walled room, listening to the vrooom-vroooom vibrating against their lips, then to the bubbles blown in the bath, the run of the water from the faucet as they brushed their tiny, pearly teeth. I’d find Hidden Pictures, change diapers, press playdough between my hands. I’d pause to find blankies and binkies before scraping the dinner dishes and setting them on the sideboard to dry.

We were on our own most evenings back then, my husband needing to work late every weeknight, every weekend. (I still can’t believe we ever got used to that, but we did.) As the clock inched toward 7 pm, I’d finish the forgotten loads of laundry on the bed, each t-shirt and burp cloth and OshKosh overall cooled and wrinkled in the heap. The blackened windows would reflect my face—too tired for my twenties—and I’d wonder how to make it another hour. Another twenty minutes. Another ten.

{by Jo of Mylestones}

Sometimes I feel like the pit of my stomach is an airtight word container, precariously latched, desperately shoving against my heart to spill onto the open page. Sometimes my soul must labor to breathe because of thoughts lodged in my lungs, freed only in the coughing compulsion of tippity-tapping on the keys.

I don’t always feel it, but when I do, it nags at me until I can’t think of anything else but letting it out. And most of the time, I don’t even know what it is I’m unleashing, until it is there in front of me in words I can finally read.

But that’s nothing new, right? Just a common ailment of a writer? (Or in this case, of a girl who is still reluctant to call herself a writer or even admit that she wants to be one.)

What troubles me is how this feeling gets in the way of my daily life, how it diseases the moment I’m in. And what troubles me more is how in my melancholy, I savor these symptoms as if it is soothing to be sick.

I despise how easily I can disappear into my head and miss the rich flavor of the moment. I know I won’t be offered another taste of those sixty seconds, yet I persist in fasting from the present.

It strikes me at the library, surrounded by foam puzzles and board books. It strikes me at a party, surrounded by friends and frivolity. It strikes me on a run, in the car, in the middle of a conversation. It strikes me, and I think, “I must start writing, or I will explode.” (I am wrong about this. I will not explode. All that ever happens is that I grow weary of feeling on the verge of explosion.)

And here is the bottom line, if I’m really confessing, if I’m really naming the fear. I’m afraid that if I don’t let the container spring wide open and write, then I will never know what the deep-down me is trying to say. And if I don’t find out, if I (the daily I) do not listen to her, then no one will. She will never be heard.

{by Aidan Donnelley Rowley}

It is one of those moments. I am curled up in a bed not my own. Wrapped sloppily in scratchy wool. On my left side. It is late morning. The girls are outside playing with their father. Looking for hippos and dinosaurs. Making believe. Being kids.

And I am here. There. Resting. Because I am tired, so tired. And it’s quiet, so quiet, too quiet. In the distance, I hear the growl of a washing machine, the clanking of pots, the dragging of something big. But mostly? I hear the buzz of being alone.

An avalanche of anxiety. I think of all the things I must do and haven’t done. In the next two months. In my lifetime. I think of the sadness, sweet and stubborn, that lurks in the ale of adulthood; the pearly mist of melancholy we see and feel once we stop pretending. I think of my friend and the unthinkable tragedy she and her family suffered on Christmas day. On Christmas day.

I lie here. There. Body motionless, mind whirring with wonder and dread and, finally, some improbable and exquisite peace. I feel a kick. A thump. A something. Bold and strong and full of life. Just next to my belly button, that spot, small and centered, hidden so well. Beneath clothes and blankets and the most ferocious of fear. I reach my hand under the layers, real and imagined, splay my fingers wide and rest them there. I wait for more. For another movement. Another reminder. Another something.

And it comes. And here, there, alone, never alone, I smile to myself. And words come, a slow trickle, a silent stream.

Everything will be okay.

{by Nicole of 60piggies}

{by TKW of The Kitchen Witch}

Three weeks before her third birthday, Miss D. starts seeing monsters. My fierce warrior child, who fears nothing, now cowers in corners and under covers. Monsters usually appear around 3am. I wake with my heart pounding in my throat, hot with the strength of her scream.

“Monsters! Help me Mommy! I scared!”

I fumble for lights, footing and child simultaneously in the night and realize that I’m just as scared as she is.

**

I was almost in my third trimester with Miss D. when the newspaper was late. This drives my part-German self crazy. I need coffee and the paper to make me human in the morning; without them I am foul. Sourly, I resorted to the television. Mornings suck hard enough without some perky anchor with teeth too good to be true telling you what traffic’s like Out There.

I flicked the screen on just in time to see the second tower of The World Trade Center descend into rubble and smoke.

I thought it was a joke at first, or some weird movie stunt. Everybody did. You just don’t believe things like that can happen, particularly if you’re my age and have missed most of the good tragedies like JFK and World Wars and even Lennon, who I was too little to know.

I spent the rest of September 11 like most Americans did, grotesquely tuned-in. I channel-surfed maniacally, looking for answers or truth or the latest horrible picture, but it was a one-handed quest. The other hand was glued to my swollen belly,and I remember looking down at it and and thinking, “What on Earth have I done?”