{Originally Published on Doobleh-Vay}

I dream of riding the Orient Express

for two nights in a row now

I am in a bright cabin with paper and pencils

and very Bohemian in an authentic way

like the way I used to wrap scarves around my head in college

and head out to the bar for a drink

when it was not even chic- just odd

scarves that my Kurdish friend would give me

and how they were so bright turquoise

that I stood out from miles away

like a beacon to other strange girls

blinking and calling out

be the person yr supposed to be

and later you will be fine with it

I am on a journey and at some point in the dream I freeze frame for a second and hit some sort of intense epiphany- only I wake up right as I feel the hairs on my body stand and stir

it was like that yesterday too

{Originally published on John T. Unger Studio}

The best thing that ever happened to me was the night an angry, messed up cab driver pulled me into the back room of a 24 hour diner and held a huge handgun to my head for over ten minutes, all the while describing in intricately fetishistic detail exactly what would happen when he pulled the trigger.

Why? Because it changes you, staring down a nutjob holding a gun. After that, the small stuff just doesn’t get sweated. You either break, or break through to a mandatory satori of keeping things in proportion that most people never get to walk away from. It’s an ice calm I wouldn’t trade for anything.

The second best thing that ever happened to me was when the dot com crash of 2000 wiped out most of the design industry at the peak of my career as a freelance print designer. I went from turning away work every week to working exactly 7 days of the next year. I lost my girl. I lost my loft. I lost part of my thumb in an accident moving out of the loft. I pretty much lost it all.

Of course, the only reason I was working in offices was to fund the art career I wanted… materials, space, tools, etc. I worked eight hours in the office and ten in the studio, sleeping when I passed out involuntarily. I decided that if my industry had tanked, I was damned if I was gonna retrain to do something else I didn’t want to do. I chose to make the art be my sole means of support. I built some monumentally scaled commissions working out of borrowed shop space, with borrowed gear, sleeping on borrowed couches.

It worked. I’ve been making my living as an artist ever since, and these days I earn triple the income I ever did from the best corporate gigs.

The third best thing that ever happened was the day my studio building collapsed under a load of snow while I was standing on the roof shoveling. I rode that roof to the ground like a gut-shot rodeo pony. The building and some pricey tools were completely destroyed, but I was unharmed… until I spent the next three months (December, January and February) without heat, running water or a stove because the natural gas line into the house had been severed in the collapse. The gas company refused to fix the line until they could bury it in the spring. I lost a few brain cells, I’m sure, by running an unvented kerosene heater inside the house to stay alive.

{Originally published at Aesthetic Outburst}

I start teaching Book Design again next week and have been searching for interesting images to show my students. Libby recently posted these typographic tree columns by why not associates. They’re being made in collaboration with Gordon Young at Crawley Library (UK) and reminded me of the floors at The Seattle Public Library designed by Ann Hamilton.